DEAD CROSS, the Southern California outfit featuring drummer Dave Lombardo (ex-SLAYER, SUICIDAL TENDENCIES, MISFITS) and singer Mike Patton (FAITH NO MORE), has released a music video for the song “Church Of The Motherfuckers”. The clip is described in a press release as “a visual rebuke of organized religion.”
“We are not capable of understanding aspects of molecular genetics, let alone the universe,” said DEAD CROSS bass player Justin Pearson of the Michael Panduro-directed video. “I’d rather not fill in the blanks with outlandish oppressive morals, offensive social politics, and patriarchal garbage. In the year 2017 AD, some humans still think there is a god.”
The band, which also includes guitarist Michael Crain (RETOX, FESTIVAL OF DEAD DEER), recently announced it will head to Europe next summer, already confirming a June 17 performance at Download Paris. More dates will be announced soon.
The self-titled debut album from DEAD CROSS was released on August 4 via Ipecac Recordings. The effort was helmed by producer Ross Robinson, who has previously worked with KORN, DEFTONES, SEPULTURA and LIMP BIZKIT, among others, and was mastered at Golden Mastering in Ventura, California.
Patton told Rolling Stone that he got involved with DEAD CROSS after reaching out to Lombardo to see if he could release the band’s album on Ipecac. After getting a text from the drummer asking him to join the group, “my jaw dropped,” the singer said. “I was like, ‘Who, me? Hmm …’ And I think it took like all of 30 seconds, but in a sarcastic way, I’m like, ‘Yeah, of course. I can do this. Are you sure you want me?’ So I kind of second-guessed him a little bit. And he said, ‘Man, you’d be our dream vocalist.’ And then it was just a matter of logistics. I decided to record it here in my basement, which is fitting. It shouldn’t sound too polished.”
Regarding DEAD CROSS‘s musical direction, Patton said: “To me, it is a traditional hardcore record. It is very pointed, direct and visceral. Like, I wasn’t going to play keyboards, add samples or any kind of orchestration. It was like, ‘Yo, just go for it.’ In some ways, it reminded me of stuff that we had collectively all grown up with and loved when we were like teenagers — bands like the ACCÜSED, DEEP WOUND or SIEGE, stuff that was just brutal, uncompromising and right to the point. I was listening to all those bands again before this came to be, so it was already back infused in my blood. And now I got a chance to do a pencil-in-your-eye record.”